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Category : Exhibitions

Marlene Rose Opens Atlanta Icon Fay Gold’s New Gallery

The show at the new Fay Gold gallery in Atlanta was a roaring success.

In true Fay Gold style, she acquired a magnificent double volume space in partnership with Besharat Galleries in a converted 19th century warehouse, exposed brickwork, pine board floors and all.

Fay had represented Marlene for many years before her retirement, and she chose Marlene again to open the new Gallery. Fay paired Marlene with a fascinating selection of the early works of Edward Mapplethorpe, kid brother of Robert Mapplethorpe and a highly regarded photographer in his own right.

Fay and her team brought their peerless experience of exhibition layout (and taught Thomas a thing or two about bold display!) to create a stunning show. The warehouse perfectly complemented the work, its beautiful rawness mixed with clean modern elements that created a fusion of old and new, echoing those features of Marlene’s work.

Marlene and her husband, Thomas, arrived a few days before the opening to install the various pieces, and worked with Fay’s team to light each piece perfectly. Lighting is important for any art form, but with glass there is an elemental relationship – as Marlene likes to say, the glass goes to sleep without lighting.

Opening Night was a huge success, not only with a number of sales but with countless accolades from the fine art aficionados in attendance, many of whom were not familiar with glass as a fine art medium.

People are fascinated by the texture of Marlene’s glass and that subtle air of mystery that each sculpture has within it. In fact, there was so much interest in these works of art that the exhibition was extended for an extra month.


Glass Art and Cookies in the Midwest

The Midwest has a very different approach to hospitality – as Marlene arrived at the airport in Fort Wayne, Indiana, she was greeted by a lady with a welcome wagon giving out delicious cookies to welcome you to her city.

And where is Fort Wayne, you might ask? It’s equidistant from Chicago, Toledo, and Indianapolis smack dab in the middle of ‘Nice People’ country.

As it happens, Fort Wayne boasts a very exciting art museum, with a real go-getter director, and Marlene had been invited to show her work there.

The President of the Museum, Charles Shepard, had set aside the main gallery, a gorgeous room with 40 ft ceilings and lots of natural light, for Marlene’s work.  The museum also provided an amazingly dedicated and competent staff to help set up the show.

Thomas, Marlene’s husband, and her right-hand man drove the trailer up from Florida with some pieces that were too big to ship easily. This tells you something about the scale of the show.

The presentation of glass sculptures succeeds or fails on the quality of the lighting. Glass is beautiful by itself, but the life inside is awakened by the quality of the light put into it.

Thomas totally geeked out at the quality of the lights in the Museum and the professionalism of their resident installer. Up and down on the traveling lift they went – and the results were incredible.

The Museum team was amazing, not just for the big things like layout and lighting, but also all the little things, like wall tags that are so absolutely vital to create the true Museum experience.

Marlene had originally allocated three days for the setup, but the team was so good they spent a good amount of that time lazing about the city and eating some very fine food.

A museum show is very different from a Gallery showing or an Art Fair. A museum show gives the space and time to allow an artist to breathe, settle back, and create a coherent body of work that illuminates and explores, in depth, a common theme.

Marlene had been wanting to do such a show for a while.  She mentioned her ideas to her dear friend, Corey Hampson of Habatat Galleries, the oldest and largest glass gallery in the world. He got excited and called her back minutes later to say that he had negotiated a two-month slot for her at this great museum.

Marlene titled the show CULTURAL BLUEPRINTS.

She started by asking these questions,

What is it that draws our eyes to the beauty of things that might come from far away in time and place? What is at the core of this fascination? Could there be common denominators that transcend images, themes, colors, and shapes? And above all, what are the ideas that underlie and cut across cultures and times? What are the things we share, what are the things we can agree on?

In these days of division and turmoil, we need to be reminded of the wonder we can see in each other, and in ourselves.

And so, she got to explore her personal fascination with the iconography of the beauties that bind us.

This museum doesn’t usually do a formal opening for a show, but because Marlene was in town to set up, they arranged an opening champagne brunch and artist lecture.

The day before the brunch Marlene discovered there were not one, but two bike races scheduled for opening day and that all the roads around the museum were to be closed. She freaked out! What if no one could get there?

To her amazement, they had a full house, standing room only.

How people got there, we have no idea. But get there, they did. The mid-westerners are not only the Nicest People, but they are also very determined to enjoy their art!

Marlene gave her talk, illustrated with lots of pictures and the short award-winning documentary From Fire, which showcases her work and inspirations. Nobody wanted to leave, there were so many questions!

Eventually, we lured everyone out of the lecture hall (with champagne!) and into the exhibition where the questions continued. Each piece was pored over as the hours slipped by.

Charles Shepard, the President of the Museum, has a strong interest in the developments taking place in the Studio Glass movement. He believes it’s the most exciting form of sculpture that exists right now. We agree!

The museum boasts an excellent collection of beautiful glass by some of the biggest names in the movement, but none using Marlene’s technique. This created even more interest and curiosity about her work. Sand casting is very unusual. It’s also hard work. It’s dangerous, sweaty and dirty, and fun.

As Marlene left Fort Wayne, she looked for the cookie lady at the airport, but she only works arrivals. There was, however, a gentleman with his dog, whose job it is to say goodbye very affectionately to each and every person leaving.

So, no cookies, but Marlene got some good quality dog-time in. Yet another reason to visit Fort Wayne.


Marlene Rose Solo Exhibition at the Fort Wayne Museum of Art


Marlene is delighted that she’s been invited to hold a solo exhibition of her studio glass sculptures at the Fort Wayne Museum of Art (FWMoA) in Indiana from June 1st until August 4th. Titled Cultural Blueprints, the exhibition will feature some of Marlene’s newest works.

Fort Wayne Museum of Art traces its roots back to 1888, becoming a full-fledged museum in 1921. For close to a hundred years now, FWMoA has been enhancing the lives of those in the growing Fort Wayne Cultural District.  In 2007, FWMoA added 10,000 square feet to increase the space for exhibitions, programs and visitors to the Museum fulfilling its vision to be the cultural catalyst of the region.

Marlene was struck by the fact that their philosophy is strikingly similar to her own artistry:

The visual arts represent myriad aspects of our collective cultures, historical experiences, and of the human condition.  We believe that the visual arts open our eyes, hearts, and minds to the intersecting dimensions of our worlds and, in doing so, add value and meaning to our lives.  This added value and meaning develops from the broadening of personal perspectives, promoting increased empathy, sparking moments of self-discovery, fostering the development of new insights, as well as nurturing our human spirit.

This aligns closely with the theme of Cultural Blueprints. Her sculptures are created with a relatively new technique that builds upon the ancient tradition of bronze casting. Each piece is hand cast from molten glass into a unique and modern work of art that resonates with references and allusions to ancient cultures and civilizations.

You can meet Marlene Rose at the gallery on June 1, at 10:30 am. Join her for a guided talk-through of the Cultural Blueprints solo exhibition – free with museum entrance.

Fort Wayne Museum of Art, 311 East Main Street, Fort Wayne, IN, 46802.

Marlene Rose Glass Sculptures & Early Works of Edward Mapplethorpe on Show in Atlanta in April

studio glass art sculptures

Art lovers and aficionados in the Atlanta area are in for a treat this April. Marlene Rose is exhibiting her Cultural Tension/Glass Sculptures alongside early works of acclaimed photographer, Edward Mapplethorpe.  The exhibition is at the Fay Gold Gallery, 161 Mangum Street SW, Atlanta, GA. The opening is April 2nd from 6:00 – 8:00 pm.

Fay Gold, renowned for owning the most important contemporary art gallery in the South for 29 years, has launched a new gallery space on Mangum Street. Fay has represented Marlene for over a decade, but this will be the first time showing her studio glass sculpture work in this converted 1890’s railroad warehouse space.

Edward Mapplethorpe assisted his older brother Robert (1946-1989) in his studio throughout the 1980s. In 1983, Mapplethorpe launched his solo career establishing a distinct and personal style. His luminous nudes, portraits, still lifes, and abstract works have been exhibited and collected throughout the United States, as well as in major cities around the world.

edward mapplethorpe

Marlene’s exhibition Cultural Tensions includes some brand-new pieces. So new, in fact, they are still in the works and will be unveiled for the first time at the exhibition opening.

If you’re in the Atlanta area in April, please join Marlene at the opening and share in this exciting exhibition of her new glass sculptures.

(Valet Parking will be available)